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not everyone understands HOUSE music,it's a spiritual thing,a soul thing,a body thing


DJ_XLR8

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<BLOCKQUOTE><font size="1" face="Verdana, Helvetica, sans-serif">quote:</font><HR>Originally posted by DJ XLR8:<BR><STRONG><I>Λοιπόν, είναι πιστεύω σειρά μου να ζητήσω συγγνώμη για την παρεξήγηση που έγινε με τον critter καθώς και οι δύο την ίδια μουσική ακούμε για τη house ζούμε οπότε let's show a little respect 2 house music. Συγγνώμη για οτι την παρεξήγηση και το χθεσινό μου pm ήταν πάνω στα νεύρα μου για κάτι εντελώς άσχετο. Ακόμα όμως ρε συ critter δεν μπορώ να καταλάβω γιατί το mates σε ενόχλησε;; mates στα αγγλίκα δε σημαίνει φιλαράκι;;; Αν κάνω λάθος πείτε το μου ρε παιδιά!!</I> tongue.gif" border="0</STRONG><HR></BLOCKQUOTE><P>Re c,kat arxas oi aggloi einai malakes kai me mia leksi enooun xilia dio.Opos loipon leme classmates=simathites,mporoume na apokalesoume kai enan mate,pou simainei mathitis.M'ayti tin enoia to ksero.Tora an eimai lathos,eimai kai megalos malakas.<BR>Anyway,to thema einai oti ola einai ok kai sinexizoume akathektoi.<BR>Oso gia neyra sou,se katalabaino.Ego eimai xeiroteros.Aporo pos egrapsa toso malakh apadisi<BR>:-)))))))<P>Ayti ti fora emfanestata filika :-)<BR>the critter <P> critter.gif

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<I>Ρίξτε μια ματιά στη σελίδα της Planetworks, έχει νέες κυκλοφορίες. Το καλό μ' αυτή την εταιρεία είναι οτι εισάγει πολλές house επιτυχίες (συχαίνομαι τις εμπορικές όπως Darude-Kernkraft 400-D Devils) αλλά όταν εισάγει μια επιτυχία που στην Αγγλία κυκλοφορεί σε 2 single (των 3 rmx's συνήθως) η Planetworks τα έχει όλα τα remixes σε 1 single! Το κακό είναι οτι αργεί να πάρει τα δικαιώματα απο το εξωτερικό και γι' αυτό υπάρχει η καθυστέρηση 3 ή 4 μηνών.</I> cool.gif" border="0 rolleyes.gif" border="0 cool.gif" border="0 rolleyes.gif" border="0 wink.gif" border="0

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<B>Το παρακάτω κείμενο είναι απο τη διεύθυνση της δισκογραφικής Defected rec. <A HREF="http://www.defected.co.uk</B>'>http://www.defected.co.uk</B>" TARGET=_blank>http://www.defected.co.uk[/b]</A> <P><BR>Roger Sanchez: First Contact <P>Whichever way you look at it, Roger Sanchez's first album has been a long time coming. Take your pick: three years (since it was first scheduled for release); ten (since he first released a single) or 20 (since he spun his first DJ set). Thankfully, whichever way you listen to it, 'First Contact' was worth the wait - and Sanchez wouldn't have had it any other way. "I don't think I know everything, but I do know when something sounds right and basically I said, I'm gonna stop when it feels right, when it sounds right" <P>There have been classic dance singles in their hundreds, and probably thousands, since the advent of acid house, but the truly classic albums to have emerged from the genre can be counted on one hand. Given that his yardsticks for LP excellence are the five-star likes of Basement Jaxx's 'Remedy' and Massive Attack's 'Blue Lines', you can appreciate Sanchez's insistence on getting it right. "A lot of people don¹t look at house producers as artists - and most house producers don't look at albums as albums, they look at them as all these singles put together and that's a mistake," he argues. "You have to think of continuity and that was the hardest thing for me to get." <P>In 'First Contact', that labour pays off - its 11 tracks somehow succeed in moving seamlessly between sleek, glacier-cool electronic instrumentals, all-horns-blaring Latin, warm, garage-style vocal tracks (thanks to such guests as Sharleen Spiteri, Christian Urich and N'Dea Davenport), brash, basic electronica, the last-word in sun-kissed dawn chillout and a future-classic forged from a soft-rock sample without missing a beat. Showing off? No. When you take into account Sanchez's breadth of experience and appetite for musical experimentation, it couldn't ever have been any other way. <P>Roger Sanchez made DJing a career after years of never imagining it could be more than a hobby. Though he'd run a booming club night, made mix tapes that sold like hot potatoes and made his mark as a breakdancer in his Queens neighbourhood (leading to dance-on cameo roles in Eighties movies Breakdance and Krush Groove), he never considered making a living out of music. Instead he embarked on architecture degree in Manhattan, which he only abandoned after his father sat him down and told him music might be a better bet. The time wasn't wasted, though: "When I approach tracks," he says, "I always try to work on a foundation of the drums. The skeleton frames, the beams, are the baseline and you build the music on top. I force myself to deconstruct the way I work. I look at every song as a problem that I have to solve." <P>"I grew up listening to salsa, disco, hip hop; people would cut up blues records, rock records," he says by way of explaining his current range of musical interests. "Anything back then was a party record." Somehow, Sanchez has also found time to learn four languages - "English, Spanish, some French, some Italian. I wanna learn Japanese next." (His interest in Japan extends to a gourmet's knowledge of sushi, almost two decades' worth of training in Shotokan Karate and a connoisseur's eye for the sci-fi worlds of the country's manga-style animation movies -- the perfect visual accompaniment to his future funk soundscapes.) <P>In case you've been staying indoors for the past decade or so, you'll know that opting to go pro as a DJ proved a wise choice. As one of the planet's foremost house DJs, Roger Sanchez has the art of making people feel right down to an exact science. (He's been practising since the age of 13, when he was first asked to man the decks at a friend's party.) He's taken his distinctively soulful, experimental sets around the world, from low-key residencies in his native New York to the wide open spaces of Ibiza or London's Fabric. He's brought the skills of his hip-hop to house music DJing (the third turntable and masterly scratching techniques being among the most famous) and now adds his own variety of interior decoration to the job, too: "I burn incense, I light candles; I try to make the booth a little temple, a bit more of a home." <P>Back in the studio, Sanchez has worked his magic on tracks by a vast array of acts: Underworld, the Police, Janet Jackson, Michael Jackson, St Etienne, Texas, his friends Daft Punk. He's steered young talent on the road to success (including Basement Jaxx and Junior Sanchez, plus the ever-expanding roster of talent on his label, R-Senal) and collaborated with other production heavyweights (including longtime associate Armand Van Helden; meanwhile, a project with Nellee Hooper is in the offing). Since his first hit - the seminal, soulful 'Luv Dancin' - his work has influenced everyone from the pioneers of UK Garage to the aforementioned Basement Jaxx. ("I¹ve known the Jaxx guys for years," he recalls. "I got them to remix one of my tracks way back, I've seen them develop; they took from me and other people and switched it and made it their own, and they've introduced things into the UK that allow me to do what I've done. Now people are like 'It's not cheesy to have horns and such on your record'".) <P>But back to Sanchez, and 'First Contact', which travels from the smooth, Christian Urich-sung hit single 'I Never Knew' to the Toto-sampling, heart-breaking summer-anthem-in-waiting 'Another Chance'. From the Latin swagger of 'La Pariee' to the bold, old-school synths of 'Computabank'. Then there's the slinky disco of 'Nothing 2 Prove', featuring Sharleen Spiteri (who played Sanchez her vocals down the phone then posted them to him in New York), the gutsy, woman-on-top dancefloor manifesto of 'You Can Change Me', written with Armand Van Helden and guest vocalist N'Dea Davenport and the glacier-cool atmospherics (and jackhammer-hard beats) of 'Ventura' and 'Contact'. It's quite some journey - who else could take you on a magical mystery tour like that and have you home within the hour? <P>Roger Sanchez. 'First Contact'. Like we said, it has most definitely been worth the wait. <P> <BR> shocked.gif" border="0 wink.gif" border="0 tongue.gif" border="0<p>[ 31-05-2001: Message edited by: DJ XLR8 ]

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<I>null</I><BR>Roger Sanchez: "Another Chance" <P>Another Chance, the single that is widely tipped to be THE Ibiza tune of the summer is hotting up nicely just like the British weather. Mixes come from Tom de Neef, Miguel Migs, Mr G and a chillout version from Afterlife - check the site for sneak previews. The video is shot in grainy sepia tones and features a girl whose heart is so big nobody wants to befriend her plus lots of subliminal references to the S-Man himself - can you spot him? <P>Roger Sanchez begins his DJ residency at El Divino in Ibiza on June 18th, but for those of you lucky enough to be in the UK you can catch him playing at London's Fabric (a Bugged Out night) on June 1st - don't miss this as he's celebrating his birthday and doing an epic 7 hour set! Roger will also be headlining the Gatecrasher Summer Sound System on June 16th plus featuring on MTV as a guest presenter throughout the summer. <P> rolleyes.gif" border="0 tongue.gif" border="0

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Defected Release Schedule<BR> <BR> <P>Artist: Warren Clarke feat. Kathy Brown <BR>Title: Over You <BR>Mixes: Warren Clarke, ATFC, Spen & Karizma, Cevin Fisher <P>Artist: DJ Phenix <BR>Title: Voices E.P. <BR>Mixes: - <P>Artist: Roger Sanchez <BR>Title: Another Chance <BR>Mixes: Roger Sanchez, Miguel Migs, Afterlife, Tom De Neef & Mr G <P>Artist: G Club presents Banda Sonora <BR>Title: Guitarra G <BR>Mixes: Warren Clarke, G Club <P>Artist: Dajae <BR>Title: Everyday <BR>Mixes: Felix da Housecat, Cevin Fisher, Junior Jack & DJ Pierre <P>Artist: Kings Of Tomorrow <BR>Title: Finally <BR>Mixes: 'Little Louie' Vega, Danny Tenaglia, DJ Meri & Rulers of the Deep <P>Artist: Dubtribe Sound System <BR>Title: Do it Now <BR>Mixes: Tom Middleton, Ibizarre, Dubtribe Sound System <P>Fluential Release Schedule:<P><BR>Artist: Knee Deep <BR>Title: I'll Be There For You <BR>Mixes: Knee Deep, Mojolators <P>Artist: Kidstuff <BR>Title: Love it <BR>Mixes: - <P>Artist: Smokin Jo <BR>Title: Yanu <BR>Mixes: - <P>Artist: Mojolators <BR>Title: E.P. <BR>Mixes: - <P>Artist: Gene Farris <BR>Title: The Real Beats E.P. <BR>Mixes: - <BR> rolleyes.gif" border="0

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Lipon,gia na baleis gifaki sto post sou prepei na grapseis<P>**[*img]http://olo to link sto opoio exeis anebasei to gif(anevase to stin homepage sou opos einai xoris na xreiazete na to energopoihseis me hyperlink ektos an to exeis dei se site opote kai vazeis tin dieythinsi tou site pou deixnei to gif otan patiseis properties[*/img]**<BR>osa asterakia blepeis,min ta baleis.Ta evala giati an den to ekana,tha ebgaze ena keno koyti kai oxi tin perigrafi pou sou grafo...<BR>Elpizo na egina katanoitos,kai na doume pote tha broume kai to another change se non radioripped version.<P>filika<BR>the critter<P>p.s:an theleis kanena kalo gifaki me to nickname h oti allo thes,pes mou na sou steilo e-mail me ena pou tha ftiakso.

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Για ακούστε όλοι αυτό το κομματάκι!Μάλλον θα κάνει μεγάλο μπαμ το καλοκαίρι (αν έχει έρθει μέχρι τότε!) Εγώ πάντως είπα στην αδερφή μου στην Αγγλία να το βρει και να το στείλει! <BR>Warp Brothers -vs- Aquagen presents "We Will Survive" <A HREF="http://www.strictly.com/newreleases_result.html" TARGET=_blank>http://www.strictly.com/newreleases_result.html</A> <BR> rolleyes.gif" border="0 grin.gif" border="0 tongue.gif" border="0<BR>Επίσης ακούστε το νέο track των ΚΙΝGS OF TOMMORROW απο το site του Mimistry of Sound <A HREF="http://www.ministryofsound.com/music/tunes/features/kings/" TARGET=_blank>http://www.ministryofsound.com/music/tunes/features/kings/</A><P><B>Ακούστε σε full version (4 min.) το Another chance του S-Man δηλαδή Roger Sanchez!!! Xωρίς διακοπές στη σύνδεση & πολύ γρήγορα! Απαραίτητος Windows Media Player. <A HREF="http://www.ministryofsound.com/music/vital_vinyl/</B>'>http://www.ministryofsound.com/music/vital_vinyl/</B>" TARGET=_blank>http://www.ministryofsound.com/music/vital_vinyl/[/b]</A><p>[ 01-06-2001: Message edited by: DJ XLR8 ]

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Σε καμία περίπτωση το <I>We will survive</I> δεν είναι House! Για να μάθεις και να ξεχωρίζεις τον ήχο της house σε παραπέμπω στα κομμάτια που σου πρότεινε ο Pads. Βέβαια είναι περσινά κομμάτια αλλά ο ήχος της house είναι μέσα τους, η καρδιά της μπορώ να μπω. Αν σου αρέσει αυτό που θα ακούσεις και θες κάτι πιο νέο σε παραπέμπω στη καινούργια συλλογή του <B>Ministry of Sound</B> ενός απο τα καλύτερα clubs στην Ευρώπη. Είναι το <I>Ministry of Sound SESSIONS 12</I> είναι mixαρισμένο απο 3 house DJs. Διπλό & εδώ στην Ελλάδα κάνει 10.500 δρχ. νομίζω. Θα μου πεις πολλά λεφτά αλλά αν σου αρέσει η house who the fuck cares!!!!! <B>NOT EVERYONE UNDERSTANDS HOUSE MUSIC, IT'S A SPIRITUAL THING, A SOUL THING, A BODY THING</B> Αυτοί είναι οι στίχοι του κομματιού <I>House music</I> του αμερικανού DJ <I>Εddie Amador</I> κατέβασέ το και θα καταλάβεις απόλυτα τι είναι house!!!!

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tongue.gif" border="0 tongue.gif" border="0 `Ενα άλλο αρκετά καλό κομματάκι είναι το 1,2,3 Fire του ιταλού παραγωγού Santos. Αν το όνομά του δε σας λέει τίποτα σας παραπέμπω στο προηγούμενό του κομμάτι το Camels που κυκλοφόρησε τον Γενάρη (για Αγγλία μιλάμε τώρα!Ανοιξη ήρθε στην Ελλάδα!). Ακούστε ολόκληρο εδώ <A HREF="http://www.ministryofsound.com/music/tunes/features/santos_321/" TARGET=_blank>http://www.ministryofsound.com/music/tunes/features/santos_321/</A> wink.gif" border="0 cool.gif" border="0<P><BR><I>Ενα άλλο πολύ καλό κομμάτι είναι αυτό Johnny Vicious - Breathe το οποίο μπορείτε να ακούσετε εδώ <A HREF="http://www.ministryofsound.com/music/radio/gateway/" TARGET=_blank>http://www.ministryofsound.com/music/radio/gateway/</A> δεν είναι house αλλά είναι ένα πάρα πολύ καλό trance κομματάκι. Αξίζει να το ακούσετε.</I><p>[ 03-06-2001: Message edited by: DJ XLR8 ]
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